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O'GRADY FILM

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Junji Ito and the Horror of Compulsion

[ The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED! ] At first glance, the premise of Junji Ito’s “Smashed” is almost...

Silent Horror: Celluloid Specters

From Max Schreck’s ghoulishly feral Count Orlok to Lon Chaney’s grotesquely disfigured Phantom of the Opera, the movie monsters of the...

The Cosmic Horror of Junji Ito’s Remina

[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] The most merciful thing in the world, I think, is the inability of...

Review: Hellraiser (2022)

When Clive Barker decided to direct a cinematic adaptation of one of his own novellas (The Hellbound Heart) back in 1987, he was a...

From Our Nightmares: Last Night in Soho

[The following essay contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] In Edgar Wright’s Last Night in Soho, ghosts are real. Skeptics may...

From Our Nightmares: Candyman (2021)

[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] In Bernard Rose’s original Candyman, the eponymous hook-handed...

From Our Nightmares: Hans Beckert, M

A mother looks from the ticking clock on the mantel to the empty chair at the dinner table. She leans out the window and calls her...

From Our Nightmares: Mamiya, Cure

The “villain” of Kiyoshi Kurosawa’s tense police thriller seems to step into the story fully-formed–no past, no future, living entirely...

From Our Nightmares: The Shark, Jaws

[W]hat we are dealing with here is a perfect engine–an eating machine. It’s really a miracle of evolution. All this machine does is swim...

From Our Nightmares: The Xenomorph, Alien

With Star Trek, Gene Roddenberry sold mankind a squeaky-clean vision of the future. A vast “new frontier” stretched out into the infinite...

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