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O'GRADY FILM

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Review: The Wailing

Watched The Wailing on Netflix. For most of its two-and-a-half-hour running time, it’s a gorgeously photographed, atmospheric thriller....

Review: Creed II

Sometimes, a legacy is a cage. When we allow our failures, our fears, and our shortcomings to define us, they become links in a chain...

Review: Alex Cross

In his review of Rob Cohen’s Alex Cross, Roger Ebert wrote: This is the first film Tyler Perry has appeared in that isn’t his own...

Review: Sinsiter

Of the Sam Raimi-produced exorcism flick The Possession, I wrote: Characters. Characters matter. Especially in ‘scary’ movies—after all,...

Review: Taken 2

“Because I am sick and tired of it all.” This is the most genuine line of dialogue in the entirety of Taken 2. After tearing apart half...

Review: Brick

What defines film noir? The gestures and archetypes? Do the femmes fatales, creeping shadows, and hardboiled narration carry any true...

Review: Carrie (2013)

Monsters aren’t born; they are created by their environments. Our actions, even those motivated by the best of intentions (such as asking...

Review: Neverland

When I wrote my decidedly negative review of The Smurfs 2, I mentioned that I’d hoped it would be a “pleasant surprise.“ That was,...

Review: The Smurfs 2

When I made the difficult decision to spend money on a screening of The Smurfs 2 (by which I mean “It was the only thing playing when I...

Review: The Last Stand

In 2008, South Korean filmmaker Kim Jee-Woon directed The Good, the Bad, the Weird, a stylish, postmodern “Kimchee Western” featuring...

Review: Gangster Squad

In this rollicking, ultra-violent, color-soaked throwback to the golden age of gangster flicks, director Ruben Fleischer paints in very...

Review: Silver Linings Playbook

I’m a sucker for a good love story. “Good” being the key word. These days, movie theaters and TV stations are saturated with a glut of...

Review: Les Miserables

It’s a remarkable musical number, played out almost entirely in a single continuous shot: a tight closeup on Anne Hathaway’s tortured...

Review: Jack Reacher

Jack Reacher is about as generic as action heroes get. He is every male fantasy made flesh–Bruce Lee, Dirty Harry, and James Bond rolled...

Review: Slither

A meteor crashes smack-dab in the middle of a small rural community. An extra-terrestrial menace emerges to terrorize the people of...

Review: The Possession

Characters. Characters matter. Especially in “scary” movies–after all, how can I experience true fear if I don’t care about the people on...

Review: Lawless

He isn’t a man so much as a presence. As soon as he steps into a room, every other occupant seems to shrink. He rarely speaks, and...

Review: The Expendables 2

Nothing better supports the argument that Hollywood has run out of ideas than the trailer for The Expendables 2. At least you can’t...

Review: Red Tails

George Lucas may not have directed Red Tails himself, but he definitely left some fingerprints on it. Like Star Wars and the Indiana...

On Endings: An Unexpected Journey

“Does The Hobbit really need to be divided into three films?” It’s a valid question. I’ll admit, I mulled it over more than once. The...

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