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O'GRADY FILM

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Review: Minari

Watched Minari via A24’s online “screening room”—certainly not my preferred viewing method, but it’s still safer than venturing out to...

Review: Nomadland

With the (allegedly) COVID-safe telecast of the 2021 Oscars ceremony looming, I decided to finally make an effort to catch up on this...

Review: My Octopus Teacher

Once you’ve seen enough documentaries, it becomes nearly impossible to ignore the genre’s inherent artificiality; its entire purpose,...

Review: Mona Lisa

[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] It’s remarkable how changing a single ingredient can significantly...

The Long Good Friday: Trapped by Time

[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] Things change, Harold. Don't get nostalgic. Look to the future....

Review: The Long Good Friday

The Long Good Friday is the perfect anti-mystery story. The plot revolves around Harold Shand (played by Bob Hoskins at his brutish...

Revisiting Mars Attacks!

Mars Attacks! absolutely terrified me when it was first released. Actually, that’s a bit of an understatement. It would be more accurate...

Review: Grosse Pointe Blank

[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] It took me way too long to discover Grosse Pointe Blank. Which...

Review: Confessions

Imagine Kinji Fukasaku’s Battle Royale. Now, replace most of the physical bloodshed with psychological warfare—a tense game of mental...

Review: Sakuran

Mika Ninagawa began her career as a photographer, and that background is clearly evident in Sakuran, her directorial debut. Every frame...

Review: Air Doll

On paper, the premise of Air Doll (an inflatable sex doll somehow develops sentience and proceeds to wander the streets of Tokyo) sounds...

Review: Red Post on Escher Street

For his latest mind-bending cinematic acid trip, Sion Sono couldn’t have chosen a more appropriate title than Red Post on Escher Street....

Review - Crazy Samurai: 400 vs 1

I’ll give Crazy Samurai: 400 vs 1 (also known as Crazy Samurai Musashi) a little bit of credit for its ambition; after all, it takes a...

Review: Bright Future

Despite his recent efforts to distance himself from the label, Kiyoshi Kurosawa is still best known as a “J-horror” director. Unlike his...

Wolfwalkers: The Shape of Oppression

[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] As complex and compelling as Robyn Goodefellowe, her father, and...

Review: The Masque of the Red Death

Apparently, American International Pictures’ The Masque of the Red Death has been available on the Criterion Channel for quite some time,...

Review: The Ladykillers

In some movies, the setting can be as much of a protagonist as any human character. The Ladykillers, produced by Ealing Studios in 1955,...

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