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O'GRADY FILM

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Review: Inheritance

Produced earlier in the same year that saw the release of Hara-Kiri–the director’s scathing, blood soaked indictment of the popular,...

Review: Street of Shame

In his final film, director Kenji Mizoguchi makes his most powerful statement on his favorite theme: the suffering of women in Japanese...

Review: The X From Outer Space

Yesterday, I watched Shochiku’s Goke, Body Snatcher From Hell, a haunting, cynical, and brutally honest examination of human behavior–and...

Review: Goke, Body Snatcher From Hell

The flight is far from uneventful. Blood-red clouds envelop the plane. Seemingly suicidal birds smash themselves against the windows by...

Review: A Good Day to Die Hard

Len Wiseman can now sleep a bit more easily, secure in the knowledge that he is no longer responsible for the worst Die Hard movie ever...

Review - Silent Hill: Revelation

Unremarkable. That’s it. That one word sums up my feelings toward Silent Hill: Revelation. Utterly unremarkable. It’s almost remarkable...

Review - Resident Evil: Retribution

I’ll give Paul W.S. Anderson this much: he’s made the best-looking film of his career. From the opening sequence—an explosive action...

Review: Chernobyl Diaries

It opens with vacation footage. Three stereotypical American tourists do stereotypical American tourist-y things, skipping and laughing...

Review: Battleship

Battleship is a fantastic romantic comedy. It throws together all the classic genre ingredients: the handsome, compassionate, but...

Review: Incredibles 2

I won’t bury the lede: I don’t think that Incredibles 2 is as good as the original. And honestly, that’s not surprising; fourteen years...

Review: My Friend Dahmer

Thor: Ragnarok hit theaters this weekend, but there’s another, smaller comic book adaptation playing at Village East Cinema that I simply...

Review: Mary and the Witch's Flower

As Studio Ghibli restructures in the wake of co-founder Hayao Miyazaki’s… “retirement,” several of its former employees (including...

Review: The Secret World of Arrietty

The Secret World of Arrietty (scripted by veteran animator Hayao Miyazaki and directed by first-timer Hiromasa Yonebayashi) once again...

Review: Hitler's Hollywood

There’s a brilliant moment in Bob Fosse’s adaptation of Cabaret that’s always stuck with me: our heroes are attending a picnic on a...

Review: Won't You Be My Neighbor?

Caught a screening of Won’t You Be My Neighbor? at Angelika. I’ll be honest: despite its almost universally positive reception, I went...

Review: American Animals

On something of a whim (thanks to a sudden and aggressive marketing push by MoviePass), I headed over to Union Square to catch a...

Review: Stop Making Sense

As part of its last major series of midnight screenings, Sunshine Cinema played Stop Making Sense, the late Jonathan Demme’s Talking...

Review: The Flute and the Arrow

Caught a screening of The Flute and the Arrow at Metrograph. I’d never heard of it before, but it’s old and foreign, which always piques...

Review: Gray's Anatomy

Popped over to FilmStruck to watch Gray’s Anatomy, a captivating monologue by famed oral storyteller Spalding Gray. As is often the case...

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