The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review: Miami Connection
I am currently subscribed to multiple streaming services that provide access to nearly unlimited movies. Thousands of long unavailable...
Review - Haikara-san: Here Comes Miss Modern
Went to Village East Cinema to see an anime called Haikara-san: Here Comes Miss Modern. Sappy romances are a definite guilty pleasure of...
Review: Fullmetal Alchemist
Watched Fullmetal Alchemist on Netflix. Despite numerous warning signs (chiefly the fact that it skipped American theaters entirely,...
Review: Riddick
I went into Pitch Black with zero expectations, and, like many others, was pleasantly surprised to discover a legitimately intelligent,...
Review: The Collection
The Collection has a great ending. Like Jee-woon Kim’s gleefully gritty I Saw the Devil, it pushes the viewer uncomfortably close to the...
Review: Black River and The Ballad of Narayama
Black River One of Masaki Kobayashi’s many scathing statements on the sad state of Japan following the American military’s occupation,...
Review: Inheritance
Produced earlier in the same year that saw the release of Hara-Kiri–the director’s scathing, blood soaked indictment of the popular,...
Review: Street of Shame
In his final film, director Kenji Mizoguchi makes his most powerful statement on his favorite theme: the suffering of women in Japanese...
Review: The X From Outer Space
Yesterday, I watched Shochiku’s Goke, Body Snatcher From Hell, a haunting, cynical, and brutally honest examination of human behavior–and...
Review: Goke, Body Snatcher From Hell
The flight is far from uneventful. Blood-red clouds envelop the plane. Seemingly suicidal birds smash themselves against the windows by...
Review: A Good Day to Die Hard
Len Wiseman can now sleep a bit more easily, secure in the knowledge that he is no longer responsible for the worst Die Hard movie ever...
Review - Silent Hill: Revelation
Unremarkable. That’s it. That one word sums up my feelings toward Silent Hill: Revelation. Utterly unremarkable. It’s almost remarkable...
Review - Resident Evil: Retribution
I’ll give Paul W.S. Anderson this much: he’s made the best-looking film of his career. From the opening sequence—an explosive action...
Review: Chernobyl Diaries
It opens with vacation footage. Three stereotypical American tourists do stereotypical American tourist-y things, skipping and laughing...
Review: Battleship
Battleship is a fantastic romantic comedy. It throws together all the classic genre ingredients: the handsome, compassionate, but...
Review: Incredibles 2
I won’t bury the lede: I don’t think that Incredibles 2 is as good as the original. And honestly, that’s not surprising; fourteen years...
Review: My Friend Dahmer
Thor: Ragnarok hit theaters this weekend, but there’s another, smaller comic book adaptation playing at Village East Cinema that I simply...
Review: Mary and the Witch's Flower
As Studio Ghibli restructures in the wake of co-founder Hayao Miyazaki’s… “retirement,” several of its former employees (including...
Review: The Secret World of Arrietty
The Secret World of Arrietty (scripted by veteran animator Hayao Miyazaki and directed by first-timer Hiromasa Yonebayashi) once again...



















