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O'GRADY FILM

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The Poetry of Violence: Elephant

On the morning of April 20, 1999, teenagers Eric Harris and Dylan Klebold armed themselves with semi-automatic handguns and improvised...

The Poetry of Violence

Ever since Edwin S. Porter had his great train robber fire directly at the camera, the landscape of cinema has been drenched in blood....

From Our Nightmares: Hans Beckert, M

A mother looks from the ticking clock on the mantel to the empty chair at the dinner table. She leans out the window and calls her...

From Our Nightmares: Mamiya, Cure

The “villain” of Kiyoshi Kurosawa’s tense police thriller seems to step into the story fully-formed–no past, no future, living entirely...

From Our Nightmares: The Shark, Jaws

[W]hat we are dealing with here is a perfect engine–an eating machine. It’s really a miracle of evolution. All this machine does is swim...

From Our Nightmares: The Xenomorph, Alien

With Star Trek, Gene Roddenberry sold mankind a squeaky-clean vision of the future. A vast “new frontier” stretched out into the infinite...

From Our Nightmares: The Thing

“Watch Clark. And watch him good.” That single, simple line of dialogue epitomizes the primal horror at the heart of John Carpenter’s...

From Our Nightmares: Candyman

Gaze into the mirror. Chant his name five times. Candyman. Candyman. Candyman. Candyman… Your voice catches in your throat. Your rational...

My Personal Cinematic Journey

I was recently invited to participate in a “10 Days, 10 Movies” meme over on another social media platform. Unfortunately, my...

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